The Rap Up: Week of January 17, 2014

Rap Up

This Week In Music:

Outkast performing over a decade ago. (Credit to

Outkast performing over a decade ago. (Credit to Joe Goldberg)

Just a week after being announced as the headliner of the 2014 Coachella Festival lineup, legendary hip hop group Outkast has announced an official comeback tour for the upcoming year. In honor of their first album, Southernplayalisticadillacmusik, reaching its 20 year anniversary, the Atlanta duo will embark on a tour of at least 40 festival shows throughout the year. This news is incredibly exciting for fans of the group, who have been anxiously awaiting new material and performances for over five years now. Fans should stay tuned to the official Outkast facebook, where the announcement was made, for future updates.

Juicy J on stage. (Credit to

Juicy J on stage. (Credit to Jay West)

In other news, rapper Juicy J (formerly of Memphis rap group Three 6 Mafia) awarded a $50,000 scholarship to one lucky female college student. Usually deemed as a good deed, the scholarship became the subject of controversy due to the award’s supposed requirements. Juicy J originally announced the scholarship back in the summer of 2013 as a scholarship for “twerking”, a dance that involves the explicit movement of the female body which has recently been brought to the mainstream by artists like Miley Cyrus. While fans have argued that Juicy J implied that the fund would go to the candidate who could twerk the best in a video that was sent to him, the rapper never officially listed twerking as a requirement needed to win the scholarship. The Listening Magazine congratulates the winner, Zaire Holmes, and acknowledges Juicy J for honoring his word.

Kanye West

Kanye West (Credit to Tyler Curtis)

Justin Beiber (Credit to

Justin Bieber

Finally, two of the biggest superstars in the music industry are in hot water with the police this week for separate incidents. First, rapper/producer Kanye West is under police investigation after reportedly being involved in an altercation with an 18-year-old. Taking place in a Beverly Hills chiropractor’s office, Kanye reportedly attacked the man after he called Kanye’s fiancée Kim Kardashian a “n****r lover”. In other news, pop sensation Justin Bieber came under the scope of Los Angeles police after being the suspect of the egging of a house neighboring his own. The 19-year-old superstar had his home searched following the incident, and one of Bieber’s friends was arrested for possession of cocaine which was found in his home. Details on both incidents are still being relayed to press sources, and will be interesting to hear about in the coming days.

The News:
Jhene Aiko announces May release date for Souled Out
Pharrell secures Oscar nomination for “Happy”
Mac Miller announces departure from Rostrum Records
Ciara and Future announce pregnancy
Drake releases new Saturday Night Live promotion videos
Rick Ross’ Mastermind receives new release date
Native Tongues TV series to feature Q-Tip, Jonah Hill, and Leonardo DiCaprio
Method Man reveals artwork for new mixtape titled The Meth Lab

The Tunes:
The Cool Kids – “Computer School” / “Chop” (ft. HBK Gang)
Shakira – “Can’t Remember To Forget You” (ft. Rihanna)
Isaiah Rashad – “RIP Kevin Miller”
Childish Gambino – “The Worst Guys” (ft. Chance The Rapper) [Video]
August Alsina – “Make It Home” (ft. Jeezy)
Ty Dolla $ign – “Paranoid” (Remix) (ft. Trey Songz, French Montana, & DJ Mustard)
Trae The Truth – “Wid It” (ft. Problem & Freddie Gibbs)
Danny Brown – “Side B (Dope Song)” [Video]
Mister Cee’s Aaliyah Birthday Tribute Mix
Kenneth Whalum – “Away” (ft. Big K.R.I.T.)
Marsha Ambrosius – “Dear Tremaine”

The Charts:
Hot 100: Pitbull – “Timber” (ft. Ke$ha)
Radio: Eminem – “The Monster” (ft. Rihanna)
Digital: Katy Perry – “Dark Horse” (ft. Juicy J)*
200: “Frozen” Soundtrack
R&B: Beyoncé – Beyoncé
Rap: Kid Ink – My Own Lane*
Rock: Lorde – Pure Heroine
Independent: Garth Brooks – Blame It On My Roots
*Indicates New Entry

The Bonus Tracks:
Nas, and Hip Hop, at… Harvard?!

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Album Review: Wiz Khalifa – “Taylor Allderdice”

“When you talk about longevity, you can’t base that on one year, or six months, or eight months, or anything like that… I was speaking to anybody who’s riding with me for the long run, and who’s looking for the next thing for me to do”.
Wiz Khalifa on his comments in “Strictly For My Taylors

A quick flashback to last year would be indicative of Wiz Khalifa’s meteoric rise to stardom. At this time in 2011, Wiz had just released his major label debut Rolling Papers to lackluster reviews after experiencing his first mainstream success behind the hit record “Black And Yellow”.
Fast forward and TGOD supporters around the world rejoice as the 24 year-old Pittsburgh native is back on the scene with his newest project Taylor Allderdice. Named after Wiz’s high school alma mater, the project shows a return to the form he had prior to his Atlantic Records venture. During that span, Wiz enlisted a shortlist of producers and engineers (Sledgren, Cardo, Big Jerm, Johnny Juliano, I.D. Labs) to create synth-heavy, bass-blaring, listener-engaging instrumentals which were crafted specifically to fit his signature deliveries and lyrical content, the latter of which is centered on his heavy usage of marijuana and his party lifestyle. Taylor Allderdice sees Wiz bringing back a sound which fans have come to expect from him, and that’s definitely not a bad thing.
The qualities and characteristics of Taylor Allderdice are largely comparable to some of Wiz’s more recent works. For instance, the more aggressive atmosphere which Wiz attempted to achieve with Cabin Fever has a presence on Taylor Allderdice. With songs like “Taylor Gang” and “Homicide” being huge fan favorites last year, it’s good to see Wiz incorporating this sound into this new project with records like “Guilty Conscience”, “T.A.P.”, and “The Code”. Simultaneously, fans of Kush & Orange Juice will appreciate the cohesive sound of Taylor Allderdice. Whether it’s the flow-heavy rapping and melodic choruses which spawn memorable records, or if it’s the familiar production styles and thematic interludes which provide a packaging for those records, Taylor Allderdice sees Wiz and the gang perfectly meshing these essential song qualities in order to craft a project which is wholly enjoyable and plays like a soundtrack fitting of a stoner lifestyle (no Mac and Devin).
Taylor Allderdice has several standout tracks for the listeners to enjoy. The inaugural record “Amber Ice” is likely to be the smoothest opening to any of Wiz’s projects to date, while “Mary 3x” is more than serviceable as the “weed song” this time around. The beauty of Taylor Allderdice is that the project gets better after it reaches its midpoint. “Rowland” (track 10) features fellow emcee Smoke DZA and captures a vibe which is faintly reminiscent of Wiz’s How Fly days with Curren$y. “My Favorite Song” sees the Academy Award-winning Taylor Gang member Juicy J make his first of three straight appearances on the project. The song is produced by Rob Halladay (of Yung Berg “Sexy Lady” fame) and is slightly infectious to say the least. Next up, the SpaceGhostPurrp-produced “T.A.P.” slows the pace and brings a more bass-heavy production for Wiz and Juicy J to takeoff to. Finally, a Lex Luger production finds its home on the project as “The Code” lets the Taylor Gang (Wiz, Chevy Woods, Juicy J, & Lola Monroe) engage in a new-school posse cut. While the momentum gained by these four records is somewhat lost after the project fails to go out with a bang, Wiz’s effort is still commendable.
In summary, Wiz Khalifa fans will appreciate and enjoy Taylor Allderdice for the foreseeable future and add it to their collection of Pittsburgh-penned marijuana music. Hopefully, this project is foreshadowing of good things to come for Wiz and the Gang.

Pros:
+Serves as a nice rebound from Rolling Papers
+Returns to the use of in-house producers/engineers, with efficient use of outside production
+Further demonstrates Wiz’s ability to craft cohesive projects
+ “Mary 3x”, “Rowland”, “T.A.P.”, “The Code”

Lows:
Closes out with lackluster, filler-quality songs
Shows a lack of growth in terms of subject matter; no expansion or evolution
“Brainstorm”, “Number 16”, “Blindfolds”

Listening Rating:
3.9/5, BA[S]ICs
STRONG