The Genesis of “Exodus”: The History Between Lil Wayne & Pusha T

What’s beef? Apparently, beef is when emcees address one another through subliminal disses and indiscreet tweets. For those who have been paying attention to hip hop news lately, rappers Lil Wayne and Pusha T have officially heated up the summer by sparking the latest case of rap beef. Each of the artists has released songs aimed at the other in the past, and it seems as though a large-scaled back and forth is on the horizon. However, the beef itself is nothing new. The issues between the two artists, while never becoming a headline, have existed for several years now. Seeing as though a lyrical battle is sure to ensue, it’s appropriate that The Listening Magazine takes you back in time to detail the origins of Lil Wayne versus Pusha T.
The history between Lil Wayne and Pusha T was not always filled with tension between the two artists. In fact, the artists and their affiliates worked together on multiple occasions. In 2002, Pusha T and his brother Malice (known collectively as Clipse) released their debut studio album Lord Willin’ on the Star Trak record label. The lead single from that album, “Grindin’”, became a hit and was the song that allowed the group to break through into the mainstream. Fans of the Clipse’s first album know that the remix of this classic record features none other than Lil Wayne and Cash Money counterpart Birdman. In the same year, Birdman (then known as Baby the #1 Stunna) released his debut album as a solo artist. The Clipse were featured on “What Happened To That Boy”, one of the album’s singles. At this point in time, it seemed as though both camps supported one another thoroughly and were on good terms.
Now fast forward to 2006. Lil Wayne is the self-proclaimed “best rapper alive” and Clipse are gearing up to release their long-awaited and oft-delayed sophomore album Hell Hath No Fury. At this time in his career, Wayne began to shift his style in terms of his music and his image. One of these changes was the addition of BAPE, a clothing line which the Clipse (as well as producer Pharrell Williams) were infamous for wearing, to his wardrobe. Wayne can be seen wearing BAPE apparrel on the cover of Vibe Magazine, as well as in his video for “Hustler Musik”. Coincidentally (or maybe not so much), the first single from Hell Hath No Fury was titled “Mr. Me Too” and was centered on people who copy the styles of others. In an interview with Complex Magazine, Wayne stated that he felt the Clipse single was about him and proceeded to attack the group and their affiliates. This marked the beginning of the tension between the two parties.
In the next couple years, the Clipse would go on to talk about the beef in interviews with radio stations and publications to express their views. This expression later found its way onto records. On the Re-Up Gang‘s We Got It For Cheap Volume 3 (2008), Pusha rapped “Lil’ nigga flows, but his metaphors boring, don’t make me turn daddy’s little girl to orphan, that would mean I’d have to kill Baby like abortion”. At this juncture, the group had clearly thrown shots at Wayne and Cash Money Records. However, with the Cash Money label experiencing tremendous amounts of success, the shots went largely unanswered and the Clipse went on to eventually disown the beef entirely.
In 2011, the issues between the two artists began to bubble back to the surface once again. While Pusha T went as far as to congratulate Wayne on being freed after his prison stint in Riker’s Island, he took issue with Wayne’s protégé, Drake. As quiet as it’s kept, Drake has thrown some subliminal shots of his own towards people close to Pusha. The Canadian emcee hinted in an interview that Kanye West and Jay-Z‘s Watch The Throne album was a concept that Wayne and he came up with first. Also, Drake rapped “the throne is for the taking” on DJ Khaled’s “I’m On One”, possibly referring to Kanye and Jay. Now a member of Kanye’s G.O.O.D. Music label, Pusha has appeared to respond with countless subliminal shots in a myriad of tracks he’s released since 2011 (including “Don’t F**k With Me”, in which Pusha raps “the swag don’t match the sweaters”). An admitted Clipse fan, Drake has yet to engage with Pusha to this point.
Pusha’s most recent subliminal attack came this week is in the form of “Exodus 23:1”, which is supposedly a single from his upcoming G.O.O.D. Music debut. The song features lyrics, some more specifically catered than others, which are directed at the Young Money conglomerate (including Drake and affiliate The Weeknd). Appearing to be fed up with Pusha’s attacks, Lil Wayne tweeted “F*k Pusha T and anybody that love em” from his @LilTunechi account on Thursday. The tweet would eventually become the opening line in “Goulish”, a song aimed at the younger half of the Clipse. Malice, Pusha’s partner in rhyme, tweeted that he was unconcerned about anyone that had problems with his younger brother. Likewise, Pusha’s label mate Kid Cudi tweeted that he loved Pusha T, and welcomed any oncoming controversy.
With the storied beef between Lil Wayne and Pusha T approaching its presumed climax, there are several questions hip hop fans are anxious to have answered. Will Pusha respond to Wayne’s attack? Will Drake engage in the confrontation? With affiliated parties involving themselves, will this become Young Money versus G.O.O.D. Music? Or will the beef simply die out on a whimper? Whatever the case, this feud is sure to have fans on the edges of their seats in anticipation of what is to come. From the looks of it, it’s going to be a cruel summer…

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The Rap Up: Week of January 23, 2012

We might be two days late, but not two dollars short. This week in music:
Madonna has been named as the headliner for the upcoming NFL Super Bowl on February 5th. The iconic pop star will perform at halftime when the surging New York Giants match up against the perennial powerhouse New England Patriots. Madonna has recruited a host of fellow musicians to perform alongside her, including Nicki Minaj, M.I.A., and Cee-Lo Green. Madonna also has several tricks up her sleeve, which have intentionally been kept under wraps. Those who like surprises should feel inclined to tune into what is sure to be one of the more exciting halftime shows in recent memory.
In other news, Rihanna has become the first female artist to reach two billion views on music video website VEVO. With numerous hit records such as “Man Down”, “Rude Boy”, and “What’s My Name”, the female pop sensation has experienced a huge amount of internet and digital success in addition to her success on the airways. Considering the fact that the music industry is moving into a more digital environment, Rihanna’s achievements are remarkable and should be applauded.
Finally, rap super group Slaughterhouse has announced a release date and title for their sophomore studio album. The LP, entitled Welcome to: Our House, will be released on May 15th. The album will be the group’s first since signing with Shady Records in early 2011, and it will be executively produced by label founder Eminem. In order to promote for the album, the skilled lyrical conglomerate will embark on a two month tour. The tour will begin in March and end in May prior to the release of the album. Now that they are being backed by Eminem and the Shady Records brand, it will be exciting to see what the group can do in a mainstream spotlight.

News:
D’Angelo performs for the first time in 12 years
Stones Throw Records reveals the Stones Throw Digital Discography
Kid Cudi releases track listing for upcoming WZRD album

Releases:
Bruce Springsteen releases “We Take Care Of Our Own”, single from Wrecking Ball
Up-and-coming songstress Elle Varner releases Conversational Lush mixtape
Rock duo Sleigh Bells drops a video for their new single “Comeback Kids”
NY emcee Saigon releases the third installment of his Warning Shots mixtape series
Mixtapes: Chip Tha Ripper, Young Buck, Emilio Rojas, Rockie Fresh, Lyriciss
Wichita rapper XV drops a video for “Batteries”, his Trae the Truth-assisted single
New artist Yuna releases the Pharrell-produced single from her forthcoming album

The Rap Up: January 20, 2012

This week in music:
If you visited sites such as Wikipedia or Google on Wednesday, you noticed the protests of the Stop Online Piracy Act (SOPA). The proposed act (which was scheduled to be voted upon next week) would essentially give the U.S. Attorney General the power to cut ad dollars and search engine indexing while censoring the internet tremendously in the process. Seeing as the internet is a huge part of the music industry today, it is imperative that we are all knowledgeable on the subject and fight to protect our first amendment right to freedom of speech. The protest was tremendously successful, as it seemingly swayed many House voters into opposition of the bill and postponed the voting process.
Legendary songstress Etta James passed away Friday morning at the age of 73. The sultry blues vocalist died of complications due to leukemia, which she was diagnosed with in 2010. Known most for her song “At Last”, she will be remembered along with the countless others who we have lost recently. Kings Of Leon drummer Nathan Followill commented, “RIP Etta James, one of the greatest voices of all time,” a sentiment we can all agree with. James was survived by her husband and two sons, who were at her bedside when she passed.
The Paid Dues Independent Hip Hop Festival announced its lineup of artists for 2012 on Thursday. Hosted by LA artist MURS, the seventh annual Paid Dues festival will take place on April 7th at the NOS Events Center in San Bernardino, CA. The show will be headlined by the legendary group Wu-Tang Clan, who will be joined by other teeming groups such as Odd Future, Living Legends, Hieroglyphics, and Dipset. Also among the fray are Kendrick Lamar and DJ Quik. This year’s show is stacked and should live up to the quality we have come to expect from the festival.

News:
Brandy and Monica announce the release date of their new duet “It All Belongs To Me”
The Mars Volta announces new album, Nocturniquet, to be released March 27th
Odd Future announces March 20th release date for debut album
Barack Obama shouts out Janelle Monae during speech; calls her “incredibly talented”
Kid Cudi and Dot Da Genius push back WZRD album to February 28th

Releases:
Santigold drops “Big Mouth”, lead single from her Master Of My Make Believer album
Estelle releases a video for “Thank You”, a single from her forthcoming All Of Me album
Dizzee Rascal reissues his 2003 Mercury Prize award-winning debut Boy In Da Corner
De La Soul returns without Maseo to release new music as duo First Serve
Compton emcee Schoolboy Q releases his debut album Habits & Contradictions
K’Naan enlists Nas‘ help for the lead single from his More Beautiful Than Silence EP
Big K.R.I.T. drops a collaboration with 8Ball & MJG; gives release date for 4evaNaDay
Theophilus London drops “Last Night (LVRS Anthem)”, single for Lovers Holiday II
North Carolina female emcee Rapsody releases “ABC” music video